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The Haitian music community, the diaspora, and lovers of culture worldwide are mourning the profound loss of André “Dadou” Pasquet, one of the most gifted and revolutionary musicians Haiti has ever produced. Born on August 18, 1953, Dadou was more than a guitarist. He was a creator, an innovator, a cultural thinker, and a man whose humility matched the depth of his genius. His passing marks the end of an era, and yet his influence will continue to move through generations, echoing through guitars, voices, drums, and the heartbeat of Haitian music.
Dadou had been battling cancer for many years, fighting with strength, grace, and a calm resilience that defined both his life and his artistry. He survived many difficult chapters, continuing to perform, create, and inspire until his body could no longer carry him. He left this world gently, surrounded by the love of his family, his wife, his children, and the extended community whose lives he shaped with his craft.
His family shared this deeply moving message:
“Dear friends, fans, and extended family, Today we share news that breaks our hearts: Dadou has taken his final bow and entered the eternal embrace of the Lord. To the world he was a musical icon, a legendary guitarist whose work defined generations; to us he was a cherished loved one whose humility matched his talent. He was a husband, father, a friend, and a beacon of Haitian culture whose artistry touched countless lives. He left this world gently, wrapped in the love of his family. His journey as an artist was marked by passion, grace, and an unwavering love for his people. We are grateful to all of you who have walked beside him, supported his craft, and uplifted him with your prayers. Though his physical voice is silent, his spirit sings on through his timeless artistry. Even now, the best way to honor him is to let his songs continue to speak. When asked what message he wanted us to pass on to the world, he answered: ‘Jwe mizik lan’ (Play the music). Please keep his legacy alive! Play his music, share his melodies, dance and let his rhythms continue to weave through our lives. Thank you for standing with us. As we grieve and celebrate the extraordinary life of Dadou, we ask for your prayers and understanding. We will share more information when the time is right. With love, The Pasquet Family”
Dadou Pasquet’s legacy is vast. His brilliance was recognized early, shaped by an extraordinary musical lineage through his uncles: the celebrated Dodof (Rodolphe), Richard, and Alexandre Legros. His talent was undeniable, and as a young man in the early 1970s, he joined the pioneering group Tabou Combo. For five years, he stood at the center of a powerful formation that would change Haitian music forever. Alongside Shoubou (Roger Eugène) and Yvon “Biassou” Mondésir, Dadou helped form one of the most iconic vocal trios in Haitian music. As guitarist, arranger, and composer during that golden era, he contributed to the success of four classic albums: Sugar Cane, Respect, 8th Sacrament, and The Masters.
This period was transformative not only for Tabou Combo but for all of Haitian music. The emotional force of their songs, the revolutionary arrangements, and the depth of their lyrics captured the Haitian soul with a new energy. Even the toughest critics, the most traditional listeners, and the skeptics found themselves moved, impressed, and even transformed by what they heard. It was a new breath for an entire generation.
Yet, despite the artistic triumph, Dadou carried some disappointment from that chapter. Dadou felt his immense potential and early virtuosity were not always fully appreciated within the structure of the group. But those challenges only pushed him toward the next and most defining stage of his career.
On June 24, 1976, Dadou Pasquet founded Magnum Band, famously known as “The Only Difference.” This moment became one of the most important milestones in the evolution of Haitian Konpa. A student at Staten Island College in the United States at the time, Dadou was expanding his worldview and absorbing new musical influences. Magnum Band became the perfect outlet for his imagination and intellect. It offered him a musical canvas where he could merge traditional Haitian rhythms with the modern languages of jazz, blues, funk, and Caribbean soundscapes such as reggae and calypso.
What emerged was a groundbreaking fusion: a bouncing, engaging, deeply thought-out style of Konpa, dressed in eloquent lyrics and enriched by experimental arrangements. His catalogue with Magnum Band is staggering in its richness, including timeless pieces like: “Experience”, “Jehovah”, “Grann”, “Chèche lavi”, “Island”, “The Best in Town”, “San Fwontyè”, “Okay”, “Revelation”, “Adoration”, “Lò Pi Bon” (Pure Gold), “Kongo nan Vodou”, “Paka Pale”, “Dife”, “Pike Devan”, “Ashdei”, and countless others.
Dadou was known for his extreme perfectionism, an almost spiritual dedication to refining every note, every arrangement, every chord progression. His work exposed mediocrity in the industry, revealed the lack of depth in certain trends, and highlighted how artistry should be centered on meaning rather than noise. His philosophy was simple: music should elevate, explore, and enlighten.
His devotion to his craft resulted in masterpieces such as “30 ans / Magnum Band, the only difference” (2007), and “Les Archives de Dadou Pasquet” (1998). These works documented decades of artistic exploration, each track reflecting the evolution of a man who never stopped searching, studying, and elevating his people’s sound.
Trying to summarize Dadou Pasquet’s work in one lifetime is nearly impossible. His music moved through different eras, political climates, social changes, and generational shifts, yet his message remained constant: authenticity, innovation, cultural pride, and artistic integrity. He was a creator in the truest sense, always refining, always evolving, always dreaming.
To many, Dadou Pasquet was not simply a musician, but a prophet of sound. His influence shaped countless younger artists, even those who fail to recognize the depth of what he contributed. In a time when mass production and soulless trends often overshadow craftsmanship, Dadou stood as a reminder of what true artistry looks like.
The loss is heavy. Haiti did not just lose a musician. It lost a visionary, a guardian of culture, a teacher, a poet with a guitar, and a man who gave everything to his art.
And yet, his voice remains.
His melodies remain.
His messages remain.
His guitar still sings.
If we wish to honor Dadou, the family already told us how: Jwe mizik lan. Play the music. Keep it alive. Share it, teach it, let it breathe in every home, every car, every speaker. Let it continue inspiring new generations the way it inspired the past ones.
Dadou Pasquet leaves behind an extraordinary legacy, a family who loved him, a fanbase who cherished him, musicians who admired him, and a country that will forever be shaped by the fingerprints he left on its cultural identity.
May he rest in power, in peace, and in eternal melody.
TRADIKSYON AN KREYÒL
Kominote mizik ayisyen an, dyaspora a, ak tout moun atravè lemond ki renmen kilti nou an ap plenn yon gwo pèd. André “Dadou” Pasquet, youn nan mizisyen ki pi talan, ki pi avanse, ak ki pi revolisyonè Ayiti te janm genyen. Li te fèt 19 out 1953. Dadou pa t sèlman yon gitis. Se te yon kreyatè, yon inovatè, yon panse kiltirèl, yon moun ki te gen yon imilite ki ale ansanm ak jeni li. Lanmò li make fen yon epòk, men enfliyans li ap kontinye travèse jenerasyon yo, nan son gita yo, nan vwa yo, nan tanbou yo, e nan batman kè mizik ayisyen an.
Dadou t ap goumen ak kansè pandan plizyè ane. Li te konbat ak fòs, ak gras, ak yon kalm ki te defini lavi li menm jan li te defini atizay li. Li te pase plizyè etap difisil, men li te kontinye jwe, kontinye kreye, kontinye enspire jiskaske kò li pa t kapab sipòte ankò. Li kite mond lan dousman, antoure pa lanmou fanmi li, madanm li, pitit li, ak tout kominote ki te jwenn fòs ak enspirasyon nan travay li.
Fanmi li pataje mesaj sa a ki chaje ak emosyon:
“Chè zanmi, fanatik, ak tout fanmi laj nou, Jodi a nou pataje yon nouvèl ki kraze kè nou. Dadou fè dènye reverans li epi antre nan bra Letènèl la. Pou lemond, li te yon ikon mizikal, yon gitis lejandè ki te make plizyè jenerasyon. Pou nou, li te yon moun nou renmen anpil, yon nonm ki te gen menm kantite imilite ak talan. Se te mari, papa, zanmi, epi yon poto mitan nan kilti ayisyen an ki te touche lavi anpil moun. Li te kite mond lan dousman, antoure pa lanmou fanmi li. Chemen atistik li make ak pasyon, ak gras, ak lanmou san limit pou pèp li. Nou remèsye nou tout ki te mache avè l, ki te sipòte travay li, epi ki te leve l nan lapriyè nou. Menm si vwa fizik li pa pale ankò, lespri li ap chante atravè mizik li. Menm kounye a, meyè fason pou onore li se kite mizik li pale. Lè yo te mande l ki mesaj li vle nou voye bay lemonn, li te reponn: ‘Jwe mizik lan’. Tanpri kontinye viv eritaj li. Jwe mizik li, pataje melodi li, danse epi kite ritm li kontinye travèse lavi nou. Mèsi dèske nou kanpe avè nou. Pandan n ap plenn e selebre lavi ekstraòdinè Dadou a, nou mande pou kontinye lapriyè pou nou. Lè moman an rive, n ap pataje lòt enfòmasyon. Avèk lanmou, Fanmi Pasquet.”
Eritaj Dadou Pasquet se yon lanmè. Brilans li te parèt depi byen bonè, fòme pa liy mizikal eksepsyonèl bò kote tonton li yo: Dodof (Rodolphe), Richard, ak Alexandre Legros. Talans li pa t gen diskisyon, epi kòm yon jenn mizisyen nan kòmansman ane 1970 yo, li rantre nan gwoup Tabou Combo ki t ap trase nouvo chimen. Pandan senk ane, li te nan sant yon fòmasyon ki t ap chanje mizik ayisyen pou tout tan. Avèk Shoubou (Roger Eugène) ak Yvon “Biassou” Mondésir, Dadou te fòme youn nan triyo vokal ki pi enpòtan nan istwa mizik ayisyen an. Kòm gitis, aranjè, ak konpozitè, li te kontribye nan siksè kat albòm klasik: Sugar Cane, Respect, 8th Sacrament, ak The Masters.
Peryòd sa a te tounen yon revolisyon pou Tabou Combo ak pou tout mizik ayisyen an. Fòs emosyonèl mizik yo, aranjman ki te avanse premye, ak pwofondè pawòl yo te kaptire nannan nanm ayisyen an nan yon nouvo souf. Menm pi gwo kritik yo, moun ki te plis tradisyonalis, plis difisil, plis fèmen, te wè tèt yo sedwi, touche, e sezi pa sa yo t ap tande. Se te yon nouvo epòk ki louvri.
Men malgre bèl siksè sa yo, Dadou te kenbe kèk desepsyon nan chapit sa a. Li te santi talans li, jeni gita li, ak vizyon li pa t toujou jwenn plas yo merite. Men defi sa yo te pouse l antre nan etap ki te vin pi enpòtan nan tout karyè li.
24 jen 1976, Dadou Pasquet fonde Magnum Band, gwoup ki vin resevwa non “The Only Difference.” Se te youn nan pi gwo vire nan devlopman Konpa ayisyen an. Kòm yon etidyan nan Staten Island College Ozetazini, Dadou t ap louvri lespri li ak nouvo enfliyans. Magnum Band tounen espas kote imajinasyon li, entèlijans li, ak sans rechèch li te kapab respire. Gwoup la te pèmèt li melanje rit tradisyonèl ayisyen yo ak langaj modèn tankou jazz, blues, funk, reggae, ak kalipso.
Sa nou jwenn nan travay li ak Magnum Band, se yon fizyon revolisyonè: yon Konpa ki danse, ki reflechi, ki chaje ak pawòl ki pwofon, ak aranjman eksperimantal. Katalòg li ak Magnum Band se yon trezò, ak mizik tankou: Experience, Jehovah, Grann, Chèche lavi, Island, The Best in Town, San Fwontyè, Okay, Revelation, Adoration, Lò Pi Bon, Kongo nan Vodou, Paka Pale, Dife, Pike Devan, Ashdei, e anpil lòt.
Dadou te konnen pou pèfeksyonis ekstrèm li: yon atis ki te rafine chak nòt, chak aranjman, chak pwogrè ak presizyon espirityèl. Travay li te montre diferans ant atis ak pwodiktè bri. Li te kwè mizik dwe leve lespri, dwe edike, dwe reveye.
Pèfeksyon li mennen nan lòt mèvèy tankou “30 ans / Magnum Band, the only difference” (2007) ak “Les Archives de Dadou Pasquet” (1998). Travay sa yo ranmase dè dekad rechèch, nòt, melodi, ak vizyon.
Defini tout travay Dadou Pasquet nan yon sèl lavi se prèske enposib. Mizik li travèse plizyè epòk, chanjman politik, tansyon sosyal, e li chante pou plizyè jenerasyon. Men mesaj li te toujou menm: otantisite, inovasyon, fyète kiltirèl, ak entegrite atistik.
Pou anpil moun, Dadou pa t yon mizisyen sèlman. Se te yon pwofèt mizikal. Yon nonm ki te pote limyè kote te gen fènwa. Yon nonm ki te kreye kote te gen vid. Yon nonm ki te mete nòt nan plas pawòl.
Pèd la lou anpil. Ayiti pa pèdi yon mizisyen sèlman. Li pèdi yon vizyonè, yon gadyen kilti, yon pwofesè, yon powèt ak yon gita, yon nonm ki te bay tout lavi li bay atizay li.
Men vwa li rete.
Melodi li yo rete.
Mesaj li rete.
Gita li ap chante toujou.
Si nou vle onore Dadou, fanmi an deja montre nou wout la: Jwe mizik lan. Kite mizik li viv. Pataje l. Fè l tounen yon rit nan chak kay, chak machin, chak espas. Kite l enspire jèn ki la kounye a menm jan li te enspire jenerasyon ki te vini avan.
Dadou Pasquet kite dèyè yon eritaj ki pa gen limit. Li kite fanmi ki te renmen l, fanatik ki te swiv li, mizisyen ki te admire l, ak yon peyi ki ap toujou pote siyati li nan nannan kilti li.
Ke li repoze nan pouvwa, nan lapè, ak nan melodi letènèl.
