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The Haitian music industry has long been known for its vibrant rhythms, loyal fan base, and unfortunately, its persistent backstage drama. At the center of yet another chapter in this ongoing saga is the latest controversy involving the band T-Vice, who announced they would not be performing as scheduled at the Hard Rock Hotel on July 5, 2025. Their reason? A last-minute reshuffling of the performance order that disrespected prior agreements, a scenario all too familiar within the Haitian Music Industry (HMI).
T-Vice’s public statement made it clear: they had an agreement, in writing, made over six months ago that they would close the show, a position of prestige in any lineup. This agreement was reconfirmed multiple times, including in the days leading up to the event. But just hours before the concert, they were told they would have to open instead. The band called the change “not only logistically impossible, but also a clear sign of disrespect,” and rightfully so.
This incident is not isolated. It is part of a broader pattern, a battle that has quietly (and sometimes not so quietly) raged behind the scenes for years, especially when it involves top-tier bands like Klass, Nu Look, and T-Vice. The struggle over time slots, particularly who gets to perform last, has become a symbol of status and recognition, with each band’s team working relentlessly to ensure their group is perceived as the main attraction.
The friction becomes even more noticeable when promoters are forced to juggle massive egos, old rivalries, and fragile alliances. It’s not just about music anymore; it’s about legacy, pride, and the illusion of hierarchy. For fans, it often leads to delayed start times, shortened performances, and disappointing experiences. For the bands, it’s a matter of principle, and often, power.
In recent years, this clash has escalated between Klass and Nu Look in particular. Both bands have passionate fan bases and charismatic leaders, and both are accustomed to top billing. Promoters have admitted, off the record, that dealing with their representatives requires diplomatic finesse. Booking both groups for the same event can be a risky move unless the performance order is ironclad, in writing, and respected by all parties involved.
Unfortunately, as seen with T-Vice this past weekend, even written agreements can be tossed aside in favor of last-minute “politics.”
This recurring issue points to a larger problem in the HMI, a lack of standardized professionalism and mutual respect between artists, promoters, and organizers. Until those in power begin to treat every act with the respect they’ve earned, fans will continue to suffer the consequences, and more last-minute cancellations like T-Vice’s will occur.
As the saying goes in the industry, “Tanpri, mete l sou papye.” But even then, the ink might not be enough to stop the drama.
And so, the saga continues…
